Daisy Eneix, Lightning, 23x16", ink & graphite on paper
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Daisy Eneix, Rain, 23x16", ink & graphite on paper
(click on image to enlarge)
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Daisy Eneix, Moon, 23x16", ink & graphite on paper
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Daisy Eneix, Float, 23x16", ink & graphite on paper
(click on image to enlarge)
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INQUIRIES:
Overall
What states of being do people embody when they feel most present, attuned, aware, charged, connected to nature, an entity or a consciousness in this Universe that is greater than themselves?
How can I explore this with others?
How can I express it in drawing?
Process
How do I translate the intuitive experience of mark-making that I get from printmaking to drawing?
How do I combine gestural, atmospheric abstraction with careful representation?
How do I combine graphite and ink without one overwhelming the other?
How do I make room for more open space and less density in my completed work?
How do I make room for more open space and less density in my completed work?
How can I enhance precision and remove peripherals, as in a poem?
Content
How do I continue this artistic path of connecting the visceral and ephemeral?
How has its meaning evolved for me over time, and how can I go deeper into this topic, to previously unexplored territory?
Collaboration
How do I engage other people in my work while still maintaining the freedom
to work in solitude and fully listen and respond to where the Muse leads?
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These works were all completed during my month-long July residency in Can Serrat, Spain. I am grateful to them for the time, space and nutrition (literal and figurative) that allowed me the luxury of experiencing drawing as my sole priority.
Thank you for viewing!
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